If there is a voice that is of some quality in today's dance music industry, then the French sound. Today, you can not go to a club without listening to the special filters, the unmistakable disco atmosphere, and the sharp, sharp sprouts. French electronic music has shown more than one glitter; Experimentation is about quality and does not show any signs of leaving. Like all house music, it started with disco. By the end of the 1970s, disco music developed into a definable genre, and the 1977 movie, Saturday Night Fever, made a record at the center of the audience. The foundations of today's home music can be brought back to legendary nightclubs such as The Paradise Garage and Studio 54, where the short-lived notoriety of the disco really started. As the disco eventually collapsed in smaller venues, Frankie Knuckles loved something new. Although Frankie remained close to the roots of the disco, the other DJs are an alternative genre, reggae, euro-pop, hiphop, new wave, etc. It was influenced by the sound. 19459002
Domestic music has become underground revolutionary, To get out of radio music, the music takes longer, the lines are much more inventive and the parties are more vivid. In the 1980s, with the appearance of drum machines, domestic music began to form.
In France, in the 1970s, it was called Euro Disco, which was essentially disco music from the United Kingdom or the USA. Works such as Abba were at the forefront of this genre. After the 1979 disco disco and disco disclash short run, the word "Euro disco" disappeared completely and replaced only "disco". In the 1980s, disco was the biggest music force in France, dominating radio waves and clubs. This, in addition to the P-funk, led to the French house music, but Thomas Bangalter came only when things really began to move. Thomas Bangalter and Guy-Manuel de Homem -Christo met in 1987 and then, following a brief indie rock, they began to study drunken machines and Daft Punk. In 1995, Da Funk (the classic, still playing) debuted an album with Virgin and Homework in 1997. The album is considered one of the most influential works of electronic music. 1990 Daft Punk has demonstrated to the French people (and the French music industry and media) that dance music has remained and can be successful. The success of the album was a huge surprise and evidence that electronic music had a wide range of fan base and exceeded the limits.
To see who influenced Daft Punk's music, all you have to do is from the Homework. Finding the artists and DJs that Daft Punk found out about something, listening to their voices and doing something new: DJ Sneak, DJ Rush, Waxmaster, Hyperactive, Jammin Gerald, Brian Wilson and the list goes on
Daft Punk has countless Inspired another artist to develop a new kind of music that has developed into a filtered disco sound that became a norm. After Daft Punk got into clothes like Stardust (also Bangalter), Cassius and Bob Sinclar. That was when the music really started commercializing, and as a result quality was quality and it was pop music. While people began to get bored of the French scene, the UK producers progressively stepped in and came up with all the new sounds that were ashamed of French music.
A band that soon lied to Daft Punk was Air. The 1998 Safari Moon was a classic classic on the UK's 6th charts. Nearly ten years later, Air enthusiastically encouraged electronic sound and gave another film to the French musical industry
Even before French house music got its form, Laurent Garnier played in legendary British clubs such as The Hacienda Manchester. At the end of the eighties, from the deep house to the Detroit techno range, Garnier began his own style and defined his own style, diverging from the latest trends in France. The "Crispy Bacon" and "The Red-Face Man" as well as the epic multinational DJs have solidified Garnier's status around the world.
In recent years, French electronic music began to introduce itself to justice, with Miss Kittin, Hacker and Para, led by the new school. Jutsice's hymn remix Simian "Never Be Alone" somehow managed to have a giant hit in both indie and dance music circles. Since Bib Sinclar has achieved low-quality populist dancers, there are still some who choose innovation and not sell records for a quick money. Thomas Bangalter is still at the forefront of the scene, and labels such as Edbanger and Arcade Mode help to nurture new talents. In particular, justice has gained fame in a few years now, and is now occupied worldwide with their unique voice and killer remixes, which give them names in the household.
Source by Matt Crook